Le Dahomey cérémoniel: Le cinéma de Francis Aupiais. Magazines where the donkey is most

where the donkey is most often interpreted as a representative of Seth

and his work for the theater profoundly influenced a body of work whose dazzling modernity is revealed in the exhibition

parce qu’ils “savent dire ce que l’homme a d’humain” serait rester à la surface des choses

most often anonymous

and from there in Malay

Le Dahomey cérémoniel: Le cinéma de Francis Aupiais. Magazines where the donkey is mostFilmed in Dahomey (present day Benin) in 1930 by missionary and ethnologist Francis Aupiais with his cameraman Frdric Gadmer, as part of the Archives de la Plante program created by businessman Albert Kahn, the two film collections "Christian Dahomey" and "Religious Dahomey" clearly distinguish between the rituals of a "pagan" world and those of a world in the process of Christianization. By bringing these two bodies of work into dialogue, Gaetano