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Machine-Aquarium. Claude Monet et la peinture submergée. Antique visual representation and ethnographic research

SKU: 22556574815

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Description

visual representation and ethnographic research

to the point of attracting the attention of Constantine

Georges Leskowicz's collection of Japanese ukiyo-e prints is one of the most important in the world

Laura Angelucci (LA) is a scientific documentalist in the Department of Graphic Arts

pagan gods no longer worried the Church

Machine-Aquarium. Claude Monet et la peinture submergée. Antique visual representation and ethnographic researchIt is a strange liquid diorama that envelops the visitor in Water Lilies of the Orangerie, confronted with this water of pigments like the glass panel of an aquarium. The aquarium is this machine for seeing differently, where things move as if weightless and floating, and which immediately inspires painting and the nascent cinematography with the novelty of its spectacle. Perceived by artists, philosophers and writers of the late 19th century century

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